Album: On The Boards, 1970
In 1970, Taste were on the rise. They
had toured the States backing Blind Faith with Delaney and Bonnie, with Taste
being regarded as many audiences as the best band, whilst Blind Faith crumbled
and eventually disbanded. Meanwhile Taste’s self-titled debut album was putting
in creditable appearances in the charts.
The follow up album, On The Boards, is
arguably the one that brought Rory Gallagher to prominence. Released on New
Year’s Day, 1970, it’s jazz and blues mix being praised by fans and reviewers
alike. It’s certainly a jump from the rawer first album, the trio sounding
stronger and more adventurous, with none other than Lester Bangs writing in
Rolling Stone: “The band is so tight
and compelling, the songs so affecting, and the experiments and improvisations
so clearly thought-out, that it seems a shame even to suggest that Taste be
classed in any way with that great puddle of British blues bands. Everybody
else is just wood shedding; Taste have arrived.”
As
positive as the reviews and reception of On The Boards were, within the band
itself, things were slowly starting to rumble, with the group breaking up in
October that year. Given they were on the rise, particularly after a legendary
set at the Isle of Wight festival in August 1970, it certainly shook a few
people. But Rory was headed in a different path from bassist Richard McCracken
and drummer John Wilson, both from Omagh and Belfast, respectively.
This
jazzy style can be heard the most on the third track of the album, “It’s
Happened Before, It’ll Happen Again.” Lyrically, it’s very short and sweet,
describing in a vague way the realisation that your significant other is
playing you somewhat and the mind games of it are getting a bit much, though
nothing is really going to change:
“You only call to see me when
I'm out
A guilty conscience nags you, I have no doubt
You've got the balls not to call anymore
It's happened before, it'll happen again
It's happened before, it happened again.”
Perhaps the most notable aspect of Rory in this song is, for once, not
his guitar playing, though it’s as ‘Roryish’ as ever in complexity and
experimentation, but his sax playing. At the time Rory was listening to a lot
of jazz and was a massive fan of Ornette Coleman, the Texan saxophonist. As
well as sax, Coleman also played the violin and trumpet. Regarded as one of the
originators of free jazz, Coleman took a more improv style in his music,
eschewing the more traditional forms of jazz. His sax playing hypnotised Rory.
He may have looked for a way to integrate that style into his guitar, but
Coleman also inspired him in another way, that apparently led Dónal Gallagher to believe his brother may have been about to switch
instruments from guitar, a notion that is somewhat stunning to contemplate
these days!
At the time, Rory and Dónal were
sharing a bedsit in London and somewhat strapped for cash. One day, Dónal
returned to their digs to find that Rory had trooped out to the music store and
bought himself an alto sax and tutor book. A guitar, understandable, but a
saxophone! The landlord of the bedsit didn’t like noise. The neighbours perhaps
also found living next door to a musician a bit of a racket. And the saxophone
is a notoriously difficult instrument to play. At first, it doesn’t sound too
pleasant! Not that this deterred Rory. He solved the problem by learning how to
play shut away in the wardrobe, the clothes muffling the sound of his first
practice sessions. Apparently if it did annoy any neighbours, Rory’s natural
charm soon won them over. In a few weeks, he started to get the hang of it and
began incorporating the sax into Taste’s sound, something which John Wilson
recalls liking a lot.
After Taste split, Rory didn’t play
sax as much, but it still made the odd appearance in his solo work, including
“A Million Miles Away” and also on the Defender album of 1987.
A final, nice touch to Rory and his
sax playing is that Rory once found himself staying in the room next door to
Ornette Coleman at a hotel. And how did this pan out for the lad who taught
himself to play saxophone closed away in his wardrobe so he didn’t annoy the
neighbours too much? Ornette practiced his sax playing the entire time
Rory was his neighbour…
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